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| CONNECTED PHOTOGRAPHER MAGAZINE ARTICLE DIRECTORY |
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Basics > Camera RAW
Home > Basics > Camera RAW
Articles
Comparing RAW conversion solutions
Connected Photographer Magazine - March 2007
If you're serious about digital photography, you're serious about RAW. In this detailed Product Shootout, Chuck Lee takes a look at two RAW processing programs (plus one surprising free option) and helps you understand which program might work best for you.
Viewing RAW images in the Windows Explorer
Connected Photographer Magazine - July 2006
Most Windows users are familiar with the Windows XP Explorer, the file navigator that forms the basis of the Windows desktop interface. If you're a photographer who likes to take pictures in the RAW, you also know that the Windows Explorer thumbnail view can't render RAW images. Fortunately, there's a new little "PowerToy" that will update your Windows Explorer and make those thumbnails visible. It's free and this helpful article tells you how to get it.
Using RAW import to create cool color effects
Connected Photographer Magazine - April 2006
A few weeks ago, we ran an article in Connected Photographer that reviewed the weird, little Lensbaby lens attachment for SLR cameras. In that review, Editor-in-Chief David Gewirtz used a sample image to showcase how the Lensbaby transformed the image into something more surrealistic. A bunch of you wrote in asking about the blue effect on the image. The answer is amazingly simple. This article will show you what we did.
DxO Optics Pro 3.0 is a must for RAW photographers
Connected Photographer Magazine - November 2005
As many of you know, high-end digital cameras shoot in a format called RAW, but in order to make any use of them, you need a RAW converter. In this article, Senior Editor James Booth takes a look at DxO Optics Pro, a third party RAW converter image correction suite. Is it worth it to go Pro, or not? Read on to find out.
A RAW deal: Using the RAW image format
Connected Photographer Magazine - May 2005
If you own a mid to high-end digital camera, or pretty much any digital SLR, you can shoot in RAW format. RAW formats capture the raw data off of your digital camera's sensor and preserve it in a file for you to manipulate outside of the camera. Author John Roling gives us a lesson in RAW format, its benefits, shortcomings, and why it's the ideal shooting format.
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