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Create your own Mac-like gel effects
Connected Photographer Magazine - August 2006
My buddy Steve loves Macs. They're all he can talk about. All you need to do is simply say the word "Mac" and he's off on a run, telling you exactly what he thinks of them. Given his enthusiasm for all things Macintosh, you can understand how he was excited by a site that he discovered that helps you make "those really cool Mac OSX gel styles that are really popular right now."


Using RAW import to create cool color effects
Connected Photographer Magazine - April 2006
A few weeks ago, we ran an article in Connected Photographer that reviewed the weird, little Lensbaby lens attachment for SLR cameras. In that review, Editor-in-Chief David Gewirtz used a sample image to showcase how the Lensbaby transformed the image into something more surrealistic. A bunch of you wrote in asking about the blue effect on the image. The answer is amazingly simple. This article will show you what we did.


Creating hand-colored images
Connected Photographer Magazine - January 2005
Digital image manipulation has dramatically changed the face of photography by moving the darkroom into the computer, allowing virtually anyone to create stunning, special effects with very little effort. In this piece, Senior Editor James Booth gives you the techniques to create your own hand-colored images in the tradition of Kim Anderson.


Mystical lighting, tint, tone and color effects
Connected Photographer Magazine - January 2004
This month, we're giving our Plug-in of the Month award to two Auto FX plug-ins that work really well together: the Mystical Lighting and Mystical Tint Tone and Color plug-ins. Read this article to learn why.



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