When there are multiple objects in your composition, they should all flow together in a harmonious manner, following an identical theme. All of the items in Figure C are linked by the photographer's perception of luxury.

FIGURE C


Multiple items in a setting should be linked by a single theme. Roll over picture for a larger image.

What you should ideally avoid is items in the same setting that are diametrically opposed to one another. In other words, don't put objects together that don't belong together, unless the statement you're making is intentionally surreal, like the eyeball and orange in Figure D.

FIGURE D


Unless your goal is to be surreal, avoid pairing up objects that don't belong together. Roll over picture for a larger image.

Conclusion
So what did we learn? First, that every picture has a message or tells a story, even snapshots and candids. Know what your message is and how you want to convey it before clicking the shutter.

Generally, you don't want your subject perfectly centered. Keep multiple objects linked by an identical theme, and use patterns and light to draw attention to your subject, not away.

Most of all, keep your compositions simple. The less there is in the frame, the less there is to control. It's been said that perfection is achieved when there is nothing left to remove, not when there is nothing more to add.

If you keep these simple tips in mind, and take your time while composing your images, you'll be successful in producing shots not only that you're pleased with, but that are pleasing to others as well. Good luck and good shooting.

James Booth is Editor-at-Large at ZATZ Publishing. In addition to writing for Computing Unplugged and Connected Photographer, he's the author of Do-It-Yourself Wedding Photography. A self-taught photographer, James also dabbles in digital graphics and has learned to be a PC and handheld specialist through personal trial and error. James can be reached at jbooth@zatz.com.