Search Connected Photographer's 6,264 photography article archive 
Home
EasyPrint
News details Click here for the RSS feed's XML code. This is not a browser URL.
Articles-only Click here for the RSS feed's XML code. This is not a browser URL.
Twitter Feed Click here for the Twitter feed.
Basic animation using Photoshop (continued)

Managing the background layer
There's one thing you need to know when getting started: how to manage the background layer. If you create an image with a background color, Adobe Photoshop will create a default background layer. You will need to turn this layer into an ordinary layer.

Photoshop's help system will tell you a dozen different ways to do this. The easiest: right click on the background layer in the Layers palette and select Layer from Background. Photoshop will use "Layer 0" as the default name. Feel free to change it or any of the other defaults to better suit your project.

Each layer will become a new object to manipulate within your animation. With that in mind, if you are dealing with lots of layers the naming feature becomes invaluable.

Go ahead and add another layer just like you would in a traditional Photoshop image.

Learning about the animation palette
Now that you have two layers, let's take a closer look at the animation palette. Each layer will appear on the animation palette as its own line, as shown in Figure B.

FIGURE B


The animation palette looks much more interesting once a layer has been created. Roll over picture for a larger image.

Along the top of the animation palette is the time and the project timeline. You can click and drag the ends of the timeline to increase or decrease the length of the project. The same is true of each layer. You can set when each layer appears and for how long.

Remember: you might have overlapping layers in the Layers palette. The Layers palette shows you the layers in space while the animation palette shows those layers in time.

Remember how I said Photoshop offers lots of options? Well here's a great option to make a basic animation like this really easy. Select the Convert to frame animation button at the bottom right of the animation palette as seen in Figure C.

FIGURE C


The Convert to frame animation button is in the lower right corner of the animation palette. Roll over picture for a larger image.

In Figure D you can see how the animation palette has changed. Each frame in this window represents a change in the total image. What you see in the frame is what you will see for that time in the final animation.

FIGURE D


Each frame can be manipulated independently of all the other frames. Roll over picture for a larger image.

Instead of dragging the timeline, you can select the time of each frame on its fly-out menu as seen in Figure E.

FIGURE E


The time delay menu allows you to pick one of the popular delays in seconds. You can also select Other to be your own Time Lord. Roll over picture for a larger image.

Photoshop refers to this as the time delay. You can select one of the listing time lengths or choose Other and type in your own.

The banner I'm making for this example will advertising three of the Muckrakers albums. I want to show two pictures of the band, so I've decided to have six frames in the sequence.

Select the duplicate frame button on the Animation Window to do this. As you can see in Figure F, the duplicate frame button looks like the Create New Layer button in the layer palette.

FIGURE F


The Duplicates selected frames button is located at the bottom of the animation palette near the middle. Roll over picture for a larger image.


« Previous  ·  1  ·  2  ·  3  ·  Next »
Other articles you might like
Home > Photo Editing > Projects (24 articles)
   Create a stunning panorama with Photoshop
   Creating watermarks with Microsoft Paint
   Weird and wacky iPod photo hacks
Get Weekly Email Updates
Subscribe to our regular weekly email newsletter. It's packed with tips, reviews, deep analysis, and the latest news.
 
Recent Connected Photographer Articles
Incident report: denial of service attack against ConnectedPhotographer.com
How to reduce stress in this crazy, crazy world
Adobe's CS4 Master Collection is the Full Monty
Get ready for wedding photography
Here come the judge, Barack's BlackBerry, David does CNN, and more
We review Photoshop CS4: The Missing Manual and more
So long 2008, and thanks for all the phish
Connected Photographer News
Nikon Coolpix L110 Review
Understanding Motion and Emotion
Olympus Pen range to get new lenses and black E-P2 kit
Datacolor Launches SpyderLensCal
M-ROCK Camera Bags
Meet Apertus, The Open Source HD Cinema Camera
Gary Fong Expands GearGuard Lineup With Introduction of the Lens Lock
>> Read all the news
More from the ZATZ journals
Computing Unplugged: Smartphone smarts for a mobile world
David Gewirtz Online: CNN commentary and analysis
DominoPower: It's time for Lotus to double-down on Linux and open source
OutlookPower: The strange case of Outlook losing notes and requiring passwords
-- Advertisement --

Write for Connected Photographer
Share your experience and expertise with other photographers. Our brand-new Connected Photographer Magazine has many new opportunities for contributing authors and editors.

Write about something you're an expert on and get your name in lights.

For Writers' Guidelines and to discuss topics, contact our editorial team. This is your opportunity to show off and help other photographers get the most out of their craft.

Click here for author guidelines.

ZATZ Home  ·  News  ·  Back Issues  ·  Credits/Trademarks ·  Link To Us
Copyright © 2010, ZATZ Publishing. All rights reserved worldwide.
Editor's Login