Search Connected Photographer's 5,983 photography article archive 
Home
EasyPrint
News details Click here for the RSS feed's XML code. This is not a browser URL.
Articles-only Click here for the RSS feed's XML code. This is not a browser URL.
Twitter Feed Click here for the Twitter feed.
IMAGE ENHANCEMENT
Making your subjects stand out
By Jorge Sosa

Sometimes, if you're shooting at a public event (like say, a car show) it's hard to get just the close-up of the subject you want. You have tons of people milling around and a lot of commotion, all leading to one busy background.

Check out Figure A and you'll see what I mean.

FIGURE A


A perfectly decent, if somewhat cluttered photo. Roll over picture for a larger image.

It's a perfectly decent photo of a red roadster, but I would love to have gotten up nice and close. Because the roadster was actually cruising down the boulevard, that wasn't possible; at least, not without dodging into traffic. That's a good way to break your camera... or your neck.

Instead of playing in traffic, you can use Photoshop to call extra attention to your photo's subject. Here's how.

Sepia tone
Once you've opened your picture in Photoshop, select the Actions tab from your History/Actions palette. Scroll down until you see the "Sepia Toning (layer)" button, then click on it. This will create a sepia-toned version of your photo in a separate layer, on top of your original photo, as you see in Figure B.

FIGURE B


Use the Sepia Toning action to create a sepia version of your original photo. Roll over picture for a larger image.

Re-order the layers
You'll want to start with your full-color photo on top of the sepia-toned layer, so go to your Layers/Paths/Channels palette. Select the Layers tab. You'll see a thumbnail preview of your original photo labeled "Background." Drag it to the top of the list of layers. If your Background layer is locked, just double-click to unlock it. Photoshop will rename it "Layer 0" and you can now move it at your whim.

Eraser magic
Now comes the fun part. Select your Eraser tool and rub out everything but your subject. As you erase the full-color layer, the sepia-toned layer will show through underneath.

Use a big Eraser to wipe out big swaths of color, as you see in Figure C.

FIGURE C


Use a big Eraser to wipe most of the background color. Roll over picture for a larger image.

Then, use your Zoom tool to get in and do the detail works, like in Figure D.

FIGURE D


Zoom in to do the detail work. Roll over picture for a larger image.

Change your Eraser to a small one by selecting the Brushes tab from your Color/Swatches/Brushes palette. Figure E shows how your subject should look after you've touched it up with a smaller Eraser.

FIGURE E


A smaller eraser makes it easy to clean up the edges of your subject. Roll over picture for a larger image.

By the time you're done your picture should look something like the eye-catching effect in Figure F.

FIGURE F


Voila! Instant eye candy! Roll over picture for a larger image.

Pretty slick, eh? Your full-color subject just pops right off that sepia-toned background. And you didn't have to play in traffic.

Jorge Sosa is a writer/photographer for the Hutchinson Leader. He can be reached via e-mail at jsosa1234@yahoo.com or on Twitter at http://twitter.com/jsosa1234.


Other articles you might like
Home > Photo Editing > Enhancing the Image (11 articles)
   Editing photos can be a Picnik
   Enhance your view with VueScan
   Portraiture can make you beautiful
Home > Basics > Image Composition (6 articles)
   Ice can be nice
   Fill the frame for maximum impact
   Using diagonal composition to give a photo impact
Home > Projects > Car Photography (2 articles)
   Four hot tips for taking cool car photos
Get Weekly Email Updates
Subscribe to our regular weekly email newsletter. It's packed with tips, reviews, deep analysis, and the latest news.
 
Recent Connected Photographer Articles
Incident report: denial of service attack against ConnectedPhotographer.com
How to reduce stress in this crazy, crazy world
Adobe's CS4 Master Collection is the Full Monty
Get ready for wedding photography
Here come the judge, Barack's BlackBerry, David does CNN, and more
We review Photoshop CS4: The Missing Manual and more
So long 2008, and thanks for all the phish
Connected Photographer News
WD Introduces New My Passport AV Portable Media Drives
Fuji FinePix Real 3D W1 3D camera is too complex
Free webinar: Tips from a PaintShop Photo Pro insider
The Annenberg Foundation Announces "WATER: Our Thirsty World" Exhibit
Photometrics Introduces 64-Bit PVCAM Driver
How to See a Photograph
Hands-On With Lensbaby Fisheye and Soft-Focus Optics
>> Read all the news
More from the ZATZ journals
Computing Unplugged: Make Mafia Wars an offer it can't refuse
David Gewirtz Online: CNN commentary and analysis
DominoPower: Application development, William Shatner, and the origin of the universe
OutlookPower: Removing an Office installation that doesn't want to go away
-- Advertisement --

Coming soon, new book: How To Save Jobs
This book is about how to create and save jobs. Believe it or not, there's not a single book out there that specifically focuses on job creation and preservation -- until now.

This book, by ZATZ editor-in-chief David Gewirtz, is about helping your business work better. It's about helping you change the things you need to change so your company can perform more effectively.

Plus, through a grant from ZATZ, it's a free download.

Read it and reap.

ZATZ Home  ·  News  ·  Back Issues  ·  Credits/Trademarks ·  Link To Us
Copyright © 2010, ZATZ Publishing. All rights reserved worldwide.
Editor's Login