Search Connected Photographer's 6,264 photography article archive 
Home
EasyPrint
News details Click here for the RSS feed's XML code. This is not a browser URL.
Articles-only Click here for the RSS feed's XML code. This is not a browser URL.
Twitter Feed Click here for the Twitter feed.
PRODUCT REVIEW
Fire the Canons, the Canon EOS 20D, that is
By James Booth

For years, I've been adamant in my belief there was no way digital could compete with film, particularly medium format film. My recent purchase of a Canon EOS 20D has changed all that. High-end digital cameras are clearly superior to film, and I'll attempt to show you how and why in this coverage of the Canon EOS 20D.

Overview
The Canon EOS 20D pictured in Figure A, is an eight megapixel digital SLR (Single Lens Reflex) that would best be categorized as a prosumer (professional consumer)/professional camera, falling somewhere between Canon's Digital Rebel and the EOS 1D.

FIGURE A


The Canon EOS 20D Digital SLR. Roll over picture for a larger image.

The image sensor rates at 8.5 total megapixels at 3600x2360, but practical output is actually 8.2 megapixels at 3520x2344. The camera utilizes Canon's EF lens mount, so will accept either EF or EF-S lenses, writes to a CompactFlash card in either Type I or Type II format or an IBM Microdrive, and records images in RAW or JPEG.

"I think it's the most awesome camera I've ever used."

The EOS 20D provides programmed exposure settings for Full Auto, Portrait, Landscape, Close-up, Sports, and Night Portrait, as well as Shutter-Priority, Aperture-Priority, Automatic Depth-of-Field, and full manual exposure, all utilizing nine auto-focus points. It offers a range of shutter speeds from Bulb and 30 seconds, up to 1/8000 of a second, synching at 1/250th of a second, and will shoot ISO equivalents from 100 to 3200.

With a start-up time in milliseconds, the ability to shoot at five frames/second, and a burst of up to 23 frames, the Canon ESO 20D can be ready at a moments notice, regardless of the situation. In addition, the EOS 20D features exposure compensation and automatic bracketing of up to +/- two full stops in 1/2 or 1/3 increments. As a matter of fact, virtually ever aspect of this camera can be adjusted to suit your personal tastes.

In fact, the EOS 20D comes with two standard color parameters already programmed, with space available for three more custom processing parameters (four items with five settings each), as well as a monochrome setting for custom black and white. You also have complete control over the white balance and color temperature, with +/- three steps in whole stop increments, and +/- nine steps in one-step increments respectively.

The EOS 20D comes with a pop-up, built-in flash, and both hotshoe and PC connections for external flash devices. While convenient for relatively close snapshots, the built-in flash isn't going to be much use beyond fifteen or twenty feet due its size and power level. One difference between the EOS 20D and its predecessor, the 10D, is the height the flash extends to. In the EOS 20D, the flash pops up higher to reduce shadow from the lens.


1  ·  2  ·  3  ·  4  ·  5  ·  Next »
Other articles you might like
Home > Reviews > Cameras (3 articles)
   What cameras are the most popular?
   Point and shoot digitals on the road
Get Weekly Email Updates
Subscribe to our regular weekly email newsletter. It's packed with tips, reviews, deep analysis, and the latest news.
 
Recent Connected Photographer Articles
Incident report: denial of service attack against ConnectedPhotographer.com
How to reduce stress in this crazy, crazy world
Adobe's CS4 Master Collection is the Full Monty
Get ready for wedding photography
Here come the judge, Barack's BlackBerry, David does CNN, and more
We review Photoshop CS4: The Missing Manual and more
So long 2008, and thanks for all the phish
Connected Photographer News
Nikon Coolpix L110 Review
Understanding Motion and Emotion
Olympus Pen range to get new lenses and black E-P2 kit
Datacolor Launches SpyderLensCal
M-ROCK Camera Bags
Meet Apertus, The Open Source HD Cinema Camera
Gary Fong Expands GearGuard Lineup With Introduction of the Lens Lock
>> Read all the news
More from the ZATZ journals
Computing Unplugged: Smartphone smarts for a mobile world
David Gewirtz Online: CNN commentary and analysis
DominoPower: It's time for Lotus to double-down on Linux and open source
OutlookPower: The strange case of Outlook losing notes and requiring passwords
-- Advertisement --

Write for Connected Photographer
Share your experience and expertise with other photographers. Our brand-new Connected Photographer Magazine has many new opportunities for contributing authors and editors.

Write about something you're an expert on and get your name in lights.

For Writers' Guidelines and to discuss topics, contact our editorial team. This is your opportunity to show off and help other photographers get the most out of their craft.

Click here for author guidelines.

ZATZ Home  ·  News  ·  Back Issues  ·  Credits/Trademarks ·  Link To Us
Copyright © 2010, ZATZ Publishing. All rights reserved worldwide.
Editor's Login